Sound At First Sight!

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In theory, we know what sound waves would look like if we could see them, but it’s not every day we actually get to lay eyes on the effects they produce on the world. There are actually a number of scientific experiments that can be used to produce a practical visual effect in response to sound. Six of these have been used by Wellington,

Dennis Wojtkiewiczs: Fruitism

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Dennis Wojtkiewicz [voit-KEV-itch] is a full professor at Bowling Green State University where he has taught painting and drawing in the School of Art since 1988. He received his M.F.A. degree from Southern Illinois University at Carbondale and also studied at the Atelier Neo-Medici in France under the direction of Patrick Betaudier in 1978 and 1983. He is best known for his exploration of the

Stéphanie Baechler: Every Day Actions

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Starting point for my project are formations, shapes and material combinations that result from the rather accidental than conscious every day actions of human life. I was inspired by curtains, fabric pleats, plastic bags, fabrics that happened to be spread on the floor, wrapped objects and creased blankets. The sheer fascination that fabric drapery can evoke! I was equally absorbed by mass production of clothes,

The Sound of Future

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When the mothership descends on Wyoming, in the climactic scene of Stephen Spielberg’s 1977 film Close Encounters of the Third Kind, the usual trappings of invasion are conspicuously absent. There are no laser guns, no pronouncements of interstellar warfare. The aliens don’t unravel some cosmic decree, claiming the Earth. Instead, they make first contact with a melody—one that, with the help of an

Lauren Bowker: See the Unseen

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Watching a piece of leather transition through a rainbow spectrum of color before your eyes would sound, to most, like the opening premise of a blockbuster sci-fi flick. But this is no optical illusion. It is a garment coated in ink that responds to the slightest environmental change, more closely mimicking the gradients of infrared thermography than the meager, stilted efforts of a dime store

Kehinde Wiley: The World Stage

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Los Angeles native and New York based visual artist, Kehinde Wiley has firmly situated himself within art history’s portrait painting tradition. As a contemporary descendent of a long line of portraitists, including Reynolds, Gainsborough, Titian, Ingres, among others, Wiley, engages the signs and visual rhetoric of the heroic, powerful, majestic and the sublime in his representation of urban, black and brown men found throughout

Korakrit Arunanondchai: Digital Expressionism

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Korakrit Arunanondchai (he likes to be called Krit for short), is a bright young Thai artist, working ceaselessly on projects that tantalize and challenge the senses. Since graduating from Columbia’s MFA program in 2012, Krit has produced a dizzying body of work, from electrifying collaborations with Spencer Sweeney and Brian Close creating party decorations at epic late-night revelries at Santos Party House to the

Susan Stockwell: Nature, Accumulation, Transformation.

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Susan Stockwell’s work takes many forms from small studies to large scale installations, sculpture, drawings and collage. It is concerned with issues of ecology, geo-politics, mapping, trade and history. The materials used are the everyday, domestic and industrial disposable products that pervade our lives. These materials are manipulated and transformed into works of art that are extraordinary. One of Stockwell’s recent exhibition ‘Flood’ in York

Remember my Song

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For the first time the hippocampus — a brain structure crucial for creating long-lasting memories — has been observed to be active in response to recurring musical phrases while listening to music. Thus, the hippocampal involvement in long-term memory may be less specific than previously thought, indicating that short and long-term memory processes may depend on each other after all. The study was

Susan Cutts: Stitched

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Susan Cutts: I work as a sculptor, handmade paper is my material, and our relationship with clothing, my inspiration. The empty shoe is a familiar image so I work in multiples to emphasize the dialogue each piece suggests. Our feet shape the shoe – by the way we walk the way we stand – making it as individual as a thumbprint and like a thumbprint