David Mach: Glued People

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David Mach (born in Methil, Fife, on 18 March 1956[1]) is a Scottish sculptor and installation artist. Mach’s artistic style is based on flowing assemblages of mass-produced objects. Typically these include magazines,vicious teddy bears,newspapers, car tyres, match sticks and coat hangers. Many of his installations are temporary and constructed in public spaces. One example of his early magazine pieces, Adding Fuel to the Fire, was

Gehard Demetz: The Invocation

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Unfinished and unmistakable, Gehard Demetz realises his figures by assembling small wooden pegs as if they were shreds of history. His works are generally of children or adolescents with a look that is sometimes extinguished, sometimes melancholy and almost sulky, a symptom of the bitter conftict with themselves and the world of adults, and of the premature loss of tè that innocence that we usually

Robert Seidel: Projected Memories

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Robert Seidel is a Berlin based artist, working in the field of experimental film, projection and video installation. He began his studies in biology at Friedrich Schiller University Jena before transferring to the Bauhaus University Weimar to complete his degree in media design. His projections, installations and experimental films have been shown in museums like LACMA Los Angeles, Royal Museum of Fine Arts Antwerp, ZKM

Angela Palmer: Scan Art

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Nurturing her sculptural technique as an anatomist at the Ruskin School, Angela Palmer’s portrait include an eighth century BC Theban priest, Djeddjehutyiuefankh, and Eclipse, an 18th century thoroughbred racehorse, as well as a series based on the head of the novelist Robert Harris and, in an Ashmolean Museum work described as “sensational”, a Mummy Boy revealing the contours of a child wrapped within a

Thompson Harrell: The color project

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I’m an independent creative based in New York City, where I split my time between integrated, high-level concept work for brands, social innovation and conceptual art. Most recently, as Creative Director and Head of Marketing, I led the brand development and all marketing efforts for the tech startup Skillshare, a community marketplace revolutionizing how the world learns. While there, I grew the company over seven

Paolo Ceric: A Single Line

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The Croatian graphic artist created the images of a single spiral line. The effect works similarly to a printing process. The line spacing is larger in bright areas, while the lines are closer in dark areas. Paolo Ceric likes to play with graphic and digital effects.

Nonotak Studio: Daydream

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NONOTAK studio is the collaboration between the illustrator Noemi Schipfer and the architect musician Takami Nakamoto. Commissioned by the Architect Bigoni-Mortemard to create a mural in the lobby of a public housing building in Paris, NONOTAK was created in late 2011. In early 2013, they start to work on light and sound installations, creating an ethereal, immersive and dreamlike environment meant to envelope the viewer,

Gabriel Dawe: Plexus

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Mexican artist Gabriel Dawe makes all kinds of wondrous things with basic textiles. His ongoing series, Plexus, is a collection of unique, complex structures that form intricate patterns of color with sewing thread. The artist says he builds the site-specific installations to “explore the connection between fashion and architecture, and how they relate to the human need for shelter in all its shapes and forms.”

Dan Witz: Mosh Pits, Human and Otherwise.

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Dan Witz (born 1957) is a HYPERLINK Brooklyn, NY based HYPERLINK “http://en.wikipedia.org/wiki/Street_art”street artist and realist painter. He grew up in Chicago, IL, and graduated in 1981 from Cooper Union, on New York City’s Lower East Side. Witz, consistently active since the late 1970s, is one of the pioneers of the street art movement. Dan Witz’s paintings have been shown in galleries throughout the US and

Morgan Herrin: Otzi and Other Stories

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The evidence of my labor gives value to the material, which is otherwise cheap and disposable. Recycled, construction-grade lumber reflects our society’s preference for cheap, fast, and impermanent. My sculptures are hand-carved, a process that takes hundreds of work-hours and utilizes hand tools that have been almost completely phased out by modern machines. These two aspects combine to create a dialogue about time and the