Franklin Evans presents fourpaintingstwowallsiowatonewyork, literally four paintings on two walls replete with references to the past, including of his graduate school time in Iowa. The Volta walls mimetically reflect the studio walls on which the paintings were made, exposing the interior thought and memory driving Evans’ practice. Evans’ recent obsessive explorations of 1913 Armory and Matisse’s Blue Nude in that exhibition, Robert Irwin’s 1960’s